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Saturday, July 28, 2012
MOVIE REVIEW
The Watch
They're Watching You
But Who On Earth Is Watching Them?
Richard Ayoade as Jamarcus, Vince Vaughn as Bob, Ben Stiller as Evan and Jonah
Hill as Franklin in Akiva Schaffer's comedy "The Watch".
Melinda Sue Gordon/20th Century Fox
by
Omar P.L. Moore/PopcornReel.com
FOLLOW
Saturday, July 28,
2012
Funny, foolish and utterly
wayward, "The Watch", Akiva Schaffer's comedy, known as "Neighborhood Watch"
prior to the shooting death of
Trayvon Martin last February, has many problems
as a film, not the least of which is a story making little sense. Watching
Mr. Schaffer's movie is like saying you went to a boxing fight and saw a hockey
game break out. "The Watch", which opened nationwide yesterday in the U.S.
and Canada, mashes comedy and sci-fi genres very uneasily, in a fashion similar
to the odd mix of alien story and western in "Cowboys And Aliens", which
stumbled awkwardly last summer.
At a Costco a man is killed, and in response Evan (Ben Stiller), a uptight,
dictatorial sort, recruits a motley trio of misfits for his Neighborhood Watch
program in an effort to find the killer. Bob (Vince Vaughn) insists on
beers and meetings at his house in between forbidding his daughter to date any
man whose genitalia just might be bigger than his. "I'll rip his dick
off!", Bob declares. "You'll need two hands, Bobby," advises the
English-accented Jamarcus ("Submarine" director Richard Ayoade), the sole black
member of the otherwise white watch group. Franklin (Jonah Hill), a failed
police officer applicant, rounds out the quirky quartet. They uncover an
alien force that creates havoc but is it behind the murder?
Avenging the murder of a civilian however soon takes a back seat, submerged by
"incorrect" humor that isn't amusing at times, xenophobia that plays on
stereotypes, and women as props for juvenile male shenanigans. Rosemarie
DeWitt ("Your
Sister's Sister",
"Margaret") plays Evan's wife, and a subplot
involving their predicament is weak and misplaced. For every laugh there
are two or three missteps in "The Watch", which looks as if it's thrown in
everything and the kitchen sink for good measure in the hope something
will stick. The comedy in "The Watch" isn't smart; it's sloppy retread
material. Much of the film is easily predictable, and its revelations I
correctly guessed in advance.
Mr. Ayoade makes his feature film acting debut and has one or two good moments,
though there's little in the way of innovation in a script written by Jared
Stern, Evan Goldberg and the actor Seth Rogen ("Take
This Waltz",
"50/50"). Mr. Hill isn't his usual snappy
self; he's more like he was in
"The Sitter" last year than he was in this
year's "21
Jump Street", a film that had wit, delirious comic fun, sharp
intelligence and a tight screenplay.
As I admittedly laughed at "The Watch" I saw a film unsure of what it wanted to
be. Is it an extra-terrestrial adventure? A sex comedy? A
buddy movie? A film about parenting? A 1950s sci-fi about "Not In My
Back Yard"? It is bizarre. Mr. Schaffer's film is a series of
sketches that don't connect or relate to each other in any appreciable way.
Only the live-wired Mr. Vaughn makes any (or rather some) of this mess remotely
entertaining. The film resorts to lazy gags involving bodily fluids, as
well as horror reminiscent of far better films like
"Attack The
Block". You'd think that "The Watch" would dare to be fresh and
invigorating but instead it is tired and familiar.
"The Watch" exists as a bare-bones spectacle; its reason to be is for pure
absurdity's sake but there's a lack of care about how the laughs are delivered
and the story executed. The same joke appears to be repeated like a bad
punch line on groundhog day. While parts of the film are uproariously
funny, sometimes in comedy laughs alone aren't enough. Ingenuity and a
fresh approach also count for something.
Also with: Erin Moriarty, Will Forte, Mel Rodriguez, Nicholas Braun, Doug Jones,
R. Lee Ermey.
"The Watch" is rated
R by the Motion Picture Association Of America for some strong sexual content
including references, pervasive language and violent images.
The film's running time is one hour and 42 minutes.
COPYRIGHT 2012. POPCORNREEL.COM. ALL RIGHTS RESERVED.
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