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Friday, July 29, 2011
MOVIE REVIEW
Attack The Block
South London Hoods Under Attack From Alien Nation
Cast members of Joe Cornish's sci-fi horror-thriller "Attack The Block", with
John Boyega at center.
Sony
Pictures/Screen Gems
by
Omar P.L. Moore/PopcornReel.com
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Friday,
July 29, 2011
If you're walking the streets of South
London or New York City at night and the gentlemen in the photo above walk
towards you, what, if anything, is your reaction? Do you feel
apprehensive? Do you walk the other way? And why? This scene
plays early on in Joe Cornish's "Attack The Block", presented not to offend but
to challenge. Some may be offended but "Block" cleverly tests the
emotional impulses of some of its audience members while questioning heroism and
examining its thankless rewards.
"Attack The Block", a sci-fi horror-thriller opening in only eight cities across
North America, begins with mischief, soon supplanted by menace in the form of
jet-black blobs illuminated only by florescent blue-green teeth that maraud
South London. Are the blobs an allusion to
Onyx?
The video game-like tormentor is a horror of an unknown origin.
Moses (John Boyega) leads a group of street toughs inhabiting South London's
Wyndham Towers estate. He possesses a woman's jewelry, stolen, a trophy of
his own cowardice. During the course of one night he and his cohorts take
on aliens who for unexplained reasons savage Wyndham. The young men have
to snuff out these beasts while dodging a skeptical, wild-eyed, gold-toothed
gun-toting petty gangster whose Wyndham turf they've inadvertently stomped on.
"Attack The Block", a "Gremlins"-meets-"Boyz N The Hood"-meets-"Blade" drama,
isn't a grand spectacle but it has its charms, exhibited in the joy of a kid's
new-found adventure. The smallest children of Wyndham get to fire away at
their ultimate demons with glee. There's genuine suspense and many very
funny one-liners delivered with great timing, and in cockney accents some may
have trouble understanding. I loved re-living my many years in England
hearing the voices I grew up with while watching this film, which left me
satisfied and often thrilled by its sense of adventure and spirit.
Mr. Cornish presides over a tightly-contained, entertaining adventure that
occasionally parodies the aliens genre and showcases black and "mixed"-race
"undesirables" first as criminals then as crimestoppers, while the predominantly
white Metropolitan Police sit by as ravaging "foreign" hordes invade.
(Maybe many of the Bobbies were busy attending to Rupert Murdoch and Jonny
Marbles.)
John Boyega, Jodie
Whittaker and Leeon Jones in "Attack The Block", directed by Joe Cornish.
Sony Pictures/Screen Gems
The hands-off approach by police could be a metaphor for what is perhaps the
average Londoner's indifference to immigration, such is the infinitely more
diverse and multicultural London of this new century. Had it been the
1970s this ugly onslaught would have been summarily put to bed. "Attack
The Block" may be a depiction of low-intensity warfare as crime control: "let
the undesirables take out the undesirables."
The Met Police selectively fight crime. Potheads, mainly white, conduct
drug business inside Wyndham with impunity, operating large bases like those in
last year's
"Harry Brown", whose earth-toned look this film echoes. In
"Attack The Block" there's larger alienation at work: an abandonment of a
community and of those fighting to protect it. Curiously, no media is on
the scene to cover this very newsworthy event. Aliens? In South
London? That's just not news for the British press -- even its most
infamous tabloids -- to cover, despite the fact that there's plenty of bleeding
on display.
Mr. Cornish's bright, pristine film is smartly written with balanced doses of
action and comedy. "Attack The Block" offers sharp social commentary that
throbs in the mind during both hectic and restful moments. The film bends
the hero verve, tentatively flaunting a mild beat of sexual tension. It's
the closest that the film, produced by Nira Park and James Wilson ("Hot Fuzz",
"Shaun Of The Dead") gets to subverting fearful damsels-in-distress and their
assailants and making them into complex, affectionate beings. The subtext
is there but the will to "go there" isn't. The provocative start
(akin to the early confrontation Kevin Kline has in
"Grand Canyon")
doesn't sustain itself, although some stereotypes do.
Though the characters are lively and engaging we don't get to know any of them
particularly well, including Moses, beyond the night fight. "Attack The
Block" is a compactor: it comes by, entertains, waxes and takes out the trash.
There's no time for inspections. Eradication is the name of the game.
Sometimes though, "Attack The Block" surprises, and it's nothing if not a
refreshing take on the creature features films of the 1980s.
Jodie Whittaker plays the sole woman brave enough, or forced by circumstances,
to care about this night-long battle for the block. She does well in a
relatively small role, providing the audience's conscience and the film's main
glimpse of femininity. Mr. Boyega, in his first lead role in a feature
film, is great as Moses. He has a fine future in film ahead of him.
A younger-looking
Denzel Washington, Mr. Boyega is a sharp, commanding figure whose
intensity registers appropriately for the task at hand. His serious
demeanor is offset by the film's jovial atmosphere and reactions to the unwanted
creatures. Some are too high to care and this great little movie delights
in the craziness of it all.
With:
Alex
Esmail, Franz Drameh, Leeon Jones, Simon Howard, Luke Treadaway, Jumayn Hunter,
Nick Frost, Sammy Williams, Michael Ajao.
"Attack The Block" is rated R by the Motion Picture
Association Of America for creature violence, drug content and pervasive language.
The film has its yucky, bloody moments too. The film's
running time is one hour and 28 minutes.
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