MOVIE REVIEWS | INTERVIEWS | YOUTUBE NEWS EDITORIALS | EVENTS | AUDIO | ESSAYS | ARCHIVES | CONTACT |
 
PHOTOS | COMING SOON| EXAMINER.COM FILM ARTICLES ||
HOME

                                                           
Friday, May 7, 2010

MOVIE REVIEW
The Secret In Their Eyes
In Argentina, Secrets And Lies, With Love And Murder
 

Soledad Villamil as Irene Menendez Hastings and Ricardo Darin as Esposito in "The Secret In Their Eyes".  Sony Pictures
Classics


By Omar P.L. Moore/PopcornReel.com        Follow popcornreel on Twitter
FOLLOW 
Friday, May 7, 2010

Before too long, a murder will take place.  It will be brutal.  Almost as brutal will be the decades-long search for the killer and a resolution.  These are the storytelling dynamics of Juan Jose Campanella's involving noir film "The Secret In Their Eyes" (aka El Secreto De Sus Ojos), which won the Best Foreign Language Film Oscar in March.

Mr. Campanella's drama is set in Argentina, spanning some 25-plus years between a murder and the revelations that follow.  The film is based on the book by Eduardo Sacheri and Mr. Campanella and Mr. Sacheri wrote the screenplay.  Irene Menendez Hastings (Soledad Villamil) is the lead prosecutor on a case that has caused major headaches for all involved.  The victim's husband (Pablo Rago) ritualistically waits for the killer.  The prosecutor's subordinate percolates with a passion for a colleague.  A boozy crime investigator (Guillermo Francella) is clouded by his greatest obsession.

Passion rules the day in "The Secret In Their Eyes".  It's a variable tainting each of the characters involved in Mr. Campanella's grim drama.  Flickers of light exist for the four principals of this absorbing story, but no one emerges immaculate.  The film has a 1970s feel, dictated by rich color, sweeping camerawork and a mood perfectly befitting its grim atmosphere.

Mr. Campanella probes the psyche of passion and the role it has in the human heart.  He all but argues for its inclusion as one of the deadly sins, and there's both torment and danger that explodes around and within the characters.  For some there are discrete zones of focus, interrupted by rule-making bodies or insignificant players.  These moments are like gentle alarm bells reminding us and the characters that while passion is unruly and all-consuming, society's rules sit close by, trying to tame passion so as to avert chaos and maintain order.

David Fincher's drama "Zodiac" (2007), a better film than this very good one, chronicles similar obsessions.  Specifically lives ruled and ruined entirely by obsession or passion -- whether via a detective's decades-long dedication to solving near-insolvable serial crimes -- or through an elusive murderer whose compulsion to kill knows no bounds.  "The Secret In Their Eyes" has more soul however, and unlike Mr. Fincher's three-hour true story epic, provides a payoff that rewards the audience for its endeavor.

The January film "Storm", starring Kerry Fox, took a colder, more detailed look at the politics of the legal system, but "Secret" hardly shies from the systemic bureaucracy that make it and the legal process it depicts a tangled, complicated web. 

These film comparisons aren't made idly.  "Zodiac", "Storm" and "Secret" should be watched as a triple bill.  Each provides a realistic look at how politics, power, passion and various levels of romance both destroy yet augment the drama in investigative thrillers.

That said, "The Secret In Their Eyes" is a brooding, layered film, perhaps a little longer than necessary, but no less fascinating for its scope and subject matter.  "A Prophet" and "The White Ribbon" were better nominees for the Oscar that "Secret" won, but Mr. Campanella's film is more conventional.  Regardless, one thing the three films in this paragraph have in common are Sony Pictures Classics, whom under the chairmanship of Michael Barker and Tom Bernard have released film after film of unmistakable quality for adults, and for many years, often without strong audience backing. 

The two chairmen have a strong eye for the kinds of art-house (or non-art-house) stories that will resonate with older moviegoers and connect with cinema lovers in general.  Their track record is remarkable, and Mr. Campanella's film contains many moments that are almost as impressive.

With: Ricardo Darín, Carla Quevedo, Javier Godino, Bárbara Palladino, Rudy Romano, José Luis Gioia.

"The Secret In Their Eyes" is rated R by the Motion Picture Association Of America, for a rape scene, violent images, some graphic nudity and language.  The film is in the Spanish language with English subtitles.  The film's duration is two hours and seven minutes.

COPYRIGHT 2010.  POPCORNREEL.COM.  ALL RIGHTS RESERVED.                   Follow popcornreel on TwitterFOLLOW



Read more movie reviews and stories from Omar here.

Read Omar's "Far-Flung Correspondent" reports for America's pre-eminent Film Critic Roger Ebert in the Chicago Sun-Times - here



SUBSCRIBE TO THE POPCORN REEL MOVIE REVIEWS RSS FEED
"movie reviews" via popcornreel in Google Reader

MOVIE REVIEWS | INTERVIEWS | YOUTUBE NEWS EDITORIALS | EVENTS | AUDIO | ESSAYS | ARCHIVES | CONTACT |
 
PHOTOS | COMING SOON| EXAMINER.COM FILM ARTICLES ||
HOME