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Friday, June 17, 2011
MOVIE REVIEW
Rejoice & Shout
Recalling The Glory Hallelujahs Of Classic Gospel 

Mavis Staples, back in the day.  She appears in Don McGlynn's documentary 
"Rejoice & Shout". 
Michael Ochs/Getty Images
 
by 
 
Omar P.L. Moore/PopcornReel.com
        
 
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Friday, 
June 17, 2011
Don McGlynn directs the rich, detailed documentary "Rejoice & Shout", a 
near-two-hour experience filled with anecdotes and priceless archival footage of 
vintage gospel greats performing.  The film is making its way around the 
country.  
"Rejoice & Shout" visits the history of gospel and its roots in the 
African-American experience, an origin and foundation for all the music that 
would follow.  The documentary features interviews with Smokey Robinson and 
a host of gospel legends.  
You need not be familiar with the music or the artists but Mr. McGlynn's 
documentary is an easily embraceable, all-encompassing film that welcomes you 
and gently leads you on a beautiful journey.  I was completely absorbed and 
taken in by the stories of triumph, pain, frustration as well as learning more 
about gospel and its intricate history.
Legends like the great Mahalia Jackson, Shirley Caesar and The Blind Boys Of 
Alabama, and newer sensations like The Winans, Kirk Franklin and many others are 
all part of Mr. McGlynn's tapestry.  We get a true sense of the 
relationships between all of those chronicled, their little rivalries, and how 
the greats recall their place within gospel.  
The documentary delves into faith though not in a way that alienates, rather, as 
illustrative of how gospel music is the engine of expression for the release of 
the spiritual aspects of the church experience for some black people, a practice 
long an integral part of African-American history.  Discussions about the 
music's role in slavery and in broader American history are edifying.
"Rejoice & Shout" runs a little long but this allows for a pure, complete 
presentation of a music format that sometimes gets made fun of, dismissed, or 
not taken seriously in some quarters.
Granted, "Rejoice & Shout" does exactly what its title announces.  It 
rejoices and it shouts, not for the sake of simply being, but as a fine 
introduction to audiences unfamiliar with one of America's grandest, most 
uplifting music flavors.
"Rejoice & Shout" is rated PG by the Motion Picture Association Of America 
for some mild thematic material and incidental smoking.  
The 
film's running time is one hour and 56 minutes.
 
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