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MOVIE REVIEW
Predators
The Thrill Of The Hunt, In A Most Dangerous Game

Adrien Brody as Royce and Alice Braga as Isabelle in 
"Predators", directed by Nimrod Antal.  
Rico Torres/Fox 
                                                                                                                   
by 
Josh Youngerman/PopcornReel.com        
 
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Friday, July 9, 2010
Nimrod Antal’s “Predators” delivers on what it sets out to do. 
It is a fun action film that respects its audience and gives them a 
Predators film worth seeing.   
Robert Rodriguez developed the film as a sequel/reboot of the Arnold 
Schwarzenegger franchise in the late ‘80s and ‘90s. 
The film is almost a throwback to the old Hammer horror film days: you 
cast really great actors so that they can sell this often ridiculous material. 
The film starts with Royce (Adrien Brody) crash-landing on a distant planet that 
looks like the jungle.  We than see 
two other characters, Cuchillo (Danny Trejo, always welcome) and Isabelle (Alice 
Braga), a sniper.  They are soon 
surrounded by a Yakuza named Hans (Louis 
Ozawa Changchien), a Southern death row inmate, Stans (Walton Goggins, reprising 
his role from the TV drama “Justified”), and a snarky American doctor, Edwin (Topher 
Grace).  They have no idea how they 
got there, and of course, like all jungle movies, they have to find a way out. 
Soon they realize that they might be the ones who are being hunted by 
creatures.
The opening 45 minutes are effectively creepy, with Antal and Rodriguez 
subscribing to the theory that what you don’t see is scarier than what you do. 
There are a couple of good scares, and Antal builds a surprising amount 
of dread and tension.  The action 
sequences using mostly practical effects are really effective. 
Unlike “The Last Airbender”, the CGI doesn’t really overwhelm Predators. 
The thing I admired most of all was the respect Antal shows the audience.
“Predators” could easily have started with voice over similar to "The 
Last Airbender" but doesn’t.  As a 
film “Predators” does a very good job of showing without telling.
 There is no voice over, yet the 
temptation to include it was surely there, especially with the talented group of 
actors on display.  Rodriguez, who 
wrote “Predators”, didn’t receive a writing credit because he is not a member of 
the Writers Guild of America.  He 
uses familiar characters here, but does so effectively.
These characters are all archetypes but each of the actors fleshes them out to 
the best of their abilities.  Adrien 
Brody is probably the key to everything. 
He won an Oscar for “The Pianist” and he is widely considered to be one 
of our great young dramatic actors.  
Yet I loved watching him sell all of this insane and stupid stuff. 
He gives it his all and it works.  If 
the film went with a traditional action star I don’t think it would have worked. 
Walton Goggins, another great actor, is a lot of fun to watch as Stans. 
He’s playing a mollified version of Bo Crowder from “Justified”, a 
performance which should have garnered him an Emmy nomination. 
Goggins is very funny and we buy him as Stans. 
As for the rest of the cast,
Topher Grace is at his most sarcastic in the role of Edwin.  He’s basically 
playing the
“Topher Grace 
role” but does a good job.  Braga probably has the toughest 
challenge of all because her character is actually supplied with a soul and a 
conscience.  Still, she is effective, especially in the first half, as the 
sniper.  Danny Trejo is great as Cuchillo, a Mexican drug lord.  
Though a familiar role, Trejo brings something fresh to it.  He is one of 
my favorite character actors.  I can’t wait to see him in “Machete”, a film 
that will finally allow him to be a leading man.  
The highlight of “Predators” however, is Laurence Fishburne.
Let’s face it: “Predators” is far from being great or even a classic.  The 
film relies on really bad-looking CGI.  There are specific scenes that are 
noticeably bad.  The film’s third act is not as effective as earlier parts 
of the film, and there’s a good ten-minute stretch which just falls flat.  
When “Predators” tries to be philosophical it almost falls flat, although the 
actors do a good job of selling it.  The tension in the first act 
disappears.  Later, in the third act, it threatens to overstay its welcome.
Vincenzo Natali’s recent film “Splice” deals with a lot of the philosophical 
questions “Predators” doesn’t bother with until its third act. 
If you want to see a film that approaches the level of greatness, watch 
“Splice”.  (Adrien Brody also starred in that better one-word monster 
movie.)  
Right now though, “Predators” isn’t even the best movie playing in theatres.  
If you have an opportunity to see “Winter’s Bone”, “Splice”, “Exit Through the 
Gift Shop”, “The Girl with the Dragon Tattoo”, and “Please Give”, you should 
take full advantage.  A lot of those titles however, aren’t easily 
accessible.  In this lackluster summer for mainstream films, “Predators” 
(with “Toy Story 3” aside), is the best movie playing at your local multiplex.  
It is stupid fun.
“Predators” is very good trash.
"Predators" is rated R by the Motion Picture 
Association Of America for strong creature violence and gore, and pervasive 
language.  The film's running time is one hour and 46 minutes.  
Josh Youngerman is Chicago's Horror Movie Examiner.  He will be 
contributing film reviews to The Popcorn Reel.  He is on Twitter
@Josh_Y.
 
 
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