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Friday, September 21, 2012
MOVIE REVIEW
Trouble With The Curve
Un-Conventional: Eastwood As Baseball 
Diamond Chair

Amy Adams as Mickey and Clint Eastwood as Gus in Robert Lorenz's drama "Trouble 
With The Curve".  Warner Brothers
 
  
by 
 
Omar P.L. Moore/PopcornReel.com
        
 
FOLLOW                                           
Friday, September 21, 
2012
"Trouble With The Curve" succeeds 
mightily in tying a warm-hearted tough-love father-daughter story to a theme of 
underdogs and has-beens, resurrected to glory.  As directed by long-time 
producer and Clint Eastwood collaborator Robert Lorenz, the sentimental drama 
about "outsiders" (Latinos, washed-up ballplayers, women, the aged) connects its 
audience to the quiet struggles of its underdogs, making for a consistently 
entertaining and sweetly affecting film.
Gus (Clint Eastwood) is in his eighties, a baseball scout who's seen it all.  
Now with failing eyesight and an estranged daughter aspiring to partnership in a 
law firm, he faces losing his multi-generation held scouting job.  A much 
younger scout is sent out to North Carolina to shadow Gus, a gruff sort who 
growls, snarls.  He seethes with a cynicism and bitterness that is comical 
in only the way that Mr. Eastwood can.  Gus is a less grim edition of the 
character the iconic director/actor played in "Gran Torino", and he hardly 
connects with daughter Mickey (Amy Adams), who coexists amidst a sea of sexism 
at her law firm.  Pitching legend Jimmy (Justin Timberlake) turned baseball 
scout runs into Gus and Mickey and befriends the latter.
Mr. Lorenz's film is about people on the margins, and how their marginalization 
by those in power positions goes and comes around like a curve in full circle, 
to bite those marginalizing people on their rear ends.  There are four 
small scenes, including one where white males snicker about Gus, and one where 
they scoff at Mickey.  Another scene features a white top baseball prospect 
badgering and mocking a Latino man selling peanuts.  Of course all of these 
hostile attitudes are exhibited at the doers' peril.  
"Trouble With The Curve", also a film about judgment in the game of sport and 
the game of life, features good work from Mr. Eastwood, Mr. Timberlake and Ms. 
Adams, the latter two of whom enjoy a free, easy rapport that's charming and 
believable.  Mr. Eastwood and Ms. Adams simmer with tension.  You 
understand the feelings these characters have, the frustrations, their 
vulnerabilities and their shortcomings.  Each of these traits are blended 
into a film that smiles and has fun with the little things in life as it 
showcases some characters' scorns and barely-veiled contempt for others.
Mr. Lorenz also appeals to the tenderness and pathos Mr. Eastwood explores in 
some of his films as a director, although "Trouble With The Curve" largely 
avoids such sojourns until its final 40 minutes, which will likely move some 
audience members.  The journey to that apex of emotion and resolution is 
genuine, sincere and at all times measured.  As a movie experience, the 
first-time director's film is light, plays things safe and wins you over as it 
pulls at your heartstrings.   
Also with: John Goodman, Robert Patrick, Matthew Lillard, Chelcie Ross, Ed 
Lauter, Bob Gunton, Raymond Anthony Thomas, Jack Gilpin.
"Trouble With The Curve" is rated 
PG-13 by the Motion 
Picture Association Of America for language, 
sexual references, some thematic material and smoking.  
The film's running time is one hour and 51 minutes.       
COPYRIGHT 2012.  POPCORNREEL.COM.  ALL RIGHTS RESERVED.                
 
 
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