MOVIE REVIEWS |
INTERVIEWS |
YOUTUBE |
NEWS
|
EDITORIALS | EVENTS |
AUDIO |
ESSAYS |
ARCHIVES |
CONTACT
|
PHOTOS |
COMING SOON|
EXAMINER.COM FILM ARTICLES
||HOME
Friday, July 29, 2011
MOVIE REVIEW
The Tree
There's Something In That Tree, And Not Just The Wind
Charlotte Gainsbourg as Dawn in Julie Bertuccelli's family drama "The Tree".
Zeitgeist Films
by
Omar P.L. Moore/PopcornReel.com
FOLLOW
Friday,
July 29, 2011
If you have a
pet -- especially if a dog -- you know that
it talks to you each day, and constantly. So what about a tree? "The
Tree", a sincere, tender family drama directed by Julie Bertuccelli, illustrates
that trees, beyond their natural functions, have something more profound to say,
and that the departed speak through them. Lyrical, poetic and absorbing,
"The Tree" celebrates the joys of characters' convictions about ideas, and
relishes their exactitude. The women are certain. The men are on
unstable footing.
Propelled by sunny visions and rustic splendor, Ms. Bertuccelli's film is set in
Australia, on a farm owned by the O'Neill family, headed by Dawn (Charlotte
Gainsbourg). The O'Neills are a content and loving clan. When the
patriarch Peter (Aden Young) has a sudden heart attack the family's idyllic
world changes. Dawn's precocious eight-year-old daughter Simone has a
strong intuition however, that her father has not left the earth; in fact she is
quite sure that he's still in or near it, specifically in that huge tree
standing just yards away from their rickety family home.
The tree on the O'Neill farm is in danger of completely encroaching and
destroying their house, and a county ordinance mandates its removal. Of
course the tree's ardent protectors will cling to it with the passion and fervor
that gives some license to lobby at them a flippant term that describes
environmentalists.
Ms. Bertuccelli ("Since Otar Left") neatly captures a luminous, sweet family and
generates warmth in visions that are beautiful and symbolic. Based on Judy
Pascoe's novel "Our Father Who Art In The Tree", "The Tree" does well on a
narrative level what the non-narrative
"The Tree Of
Life" does on a complex one: investigate the meaning of fathers in
the lives of their children, and the idea that children are thinking about their
parents more deeply than those parents may realize. Ms. Bertuccelli's film
uses less grandeur and stylistic strokes than Terrence Malick's superb film, but
"The Tree" is no less meaningful or relevant as a family drama.
Morgana Davies, excellent
as Simone in Julie Bertuccelli's family drama "The Tree".
Zeitgeist Films
Instead of through the eyes of a troubled, tormented son, Ms. Bertuccelli (who
also wrote the screenplay based on an original script by Elizabeth J. Mars)
centers this drama through Dawn's daughter Simone, superbly acted by first-time
feature film actress Morgana Davies. In a year of fine performances by
teen or pre-teen actors -- Jonah Bobo in
"crazy,
stupid, love.", Hunter McCracken in "The Tree
Of Life", José Julián in
"A Better Life" and both Joe Courtney and Elle
Fanning in
"Super 8" among others -- Miss Davies makes a memorable impression
with her fearless debut work. She's neither pining nor preening for the
audience's belief in her commitment to her character, and her convictions about
Simone's feelings are real. It's an assured, confident performance.
"The Tree" however, diverges from its melodic flow with the fire-and-brimstone
theatrics melodramas are made of. Regardless of the book's themes and
occurrences, Ms. Bertuccelli's film is above the kinds of diversions that creep
or crash into the film's climax. Up until that point "The Tree" is
earnest, sincere and lovely, though occasionally obvious. There's clearly
a spiritual realm at work, and the story belabors its climax when economy would
have better suited it. Even so, "The Tree" doesn't exalt its characters'
heroics even when they are righteous. The director's confidence in her
principals is amplified by the actors' impressive performances, especially that
of Miss Davies. "The Tree" exquisitely journeys into rebirth,
replenishment and the roots of family and its solid foundations. Its heart
is boundless, humane and joyful, and I was enriched by its compassion and grace.
Amazingly, Ms. Gainsbourg, great again here, doesn't cast her usual, achingly
potent emotional power and naturalness over this film, or the eruptive, fertile
quality in characters she's played in other films. As Dawn, she's never
more alive than when she climbs up into that big tree. Something is
calling her, and the scenes at night of Ms. Gainsbourg exploring the tree in
ways Dawn may never have prior, are special. No matter what, Ms.
Gainsbourg's work always speaks volumes, as do the film characters'
nature-evoking or biblical-sounding names: Dawn and Peter, but it's all young
Miss Davies' stage -- and tree -- and she doesn't ever let go.
With: Marton Csokas, Christian Byers, Tom Russell, Gabriel Gotting, Penne
Hackforth-Jones, Gillian Jones, Zoe Boe.
"The Tree" is not rated by the Motion Picture
Association Of America but contains some violence, sensuality and sexual
content. The film's running time is one hour and 40 minutes.
COPYRIGHT 2011. POPCORNREEL.COM. ALL RIGHTS RESERVED.
FOLLOW
SUBSCRIBE TO THE POPCORN REEL MOVIE
REVIEWS RSS FEED
MOVIE REVIEWS |
INTERVIEWS |
YOUTUBE |
NEWS
|
EDITORIALS | EVENTS |
AUDIO |
ESSAYS |
ARCHIVES |
CONTACT
| PHOTOS |
COMING SOON|
EXAMINER.COM FILM ARTICLES
||HOME