MOVIE REVIEWS |
INTERVIEWS |
YOUTUBE |
NEWS
|
EDITORIALS | EVENTS |
AUDIO |
ESSAYS |
ARCHIVES |
CONTACT
|
PHOTOS |
COMING SOON|
EXAMINER.COM FILM ARTICLES
||HOME
Wednesday, January 25, 2012
AWARDS SEASON 2012
Here's Who Wins Oscar Next Month, And Why

Oscar nominee Jennifer Lawrence and Academy president Tom Sherak yesterday
morning during the Oscar nominations announcement.
Todd Wawrychuk/AMPAS
by
Omar P.L. Moore/PopcornReel.com
FOLLOW
Wednesday,
January 25, 2012
So why wait? Why wait until the week or weekend of the 84th Annual Academy
Awards on February 26? Why not predict now?
After all, the wrapping has already come off the gifts. You know who the
nominees are, and what they look like. The speculation and conjecture
about the who, why and should have is already a moot point.
Without any further fuss, here are my predicted winners, or rather, who I think
the Academy will choose as the winners in next month's Oscars, with brief,
detailed analysis of why:
BEST DIRECTOR
Michael Hazanavicius,
"The Artist"
The nomination is the French director's first. Included in this august
group of directing nominees (Mssrs. Allen, Malick, Payne and Scorsese have all
previously been nominated), Mr. Hazanavicius is already a winner. He
directed "The Artist" with confidence, flair and a playfulness that was
irresistible and entertaining. The Academy likes feel good films, and the
joyous tone of this one, so meticulously executed in style, story and
performance, will win many Oscar voters over.
BEST ACTRESS
Viola Davis,
"The Help"
So often the Academy has enjoyed the noble, steadfast heroine or hero, the one
who quietly goes about her business while everything around her is off-kilter.
This is exactly the scenario that Aibileen, played by
Viola Davis,
finds herself in in 1963 Mississippi. Ms. Davis is good in the film, and
even though her passive black maid character isn't my cup of tea, it will be the
Academy's: disciplined, resolute and non-threatening. Aibileen is a
character of comfort to the Academy. The nominees here are formidable
(Meryl Streep, Glenn Close, Michelle Williams) and surprising (Rooney Mara), but
if Ms. Streep also votes for her
"Doubt" co-star Davis, the Oscar is about as
safe as houses in Viola Davis's hands.
BEST SUPPORTING ACTRESS
Octavia Spencer, "The Help"
The Academy loves larger-than-life movie characters, and Octavia Spencer played
one in "The Help" as the heart of that film's entertainment, along with Sissy
Spacek. The film (and category) has two high-profile caricatured
characters: one played by Ms. Spencer, the other by Jessica Chastain. The
Academy will send the message that black actresses, who have won just five
Academy Awards in Oscar's 83-year history -- McDaniel, Goldberg, Berry, Hudson,
Mo'Nique -- aren't an endangered species in the Oscar winners' circle.
After last year's invisibility black actresses will be brought back in the Oscar
spotlight. Janet McTeer, Bérénice Bejo, Melissa McCarthy and Ms. Chastain
all do better work but Academy sentiment points at Ms. Spencer.
BEST ACTOR
George Clooney, "The Descendants"
A strong lead male category sees first time nominees, amazingly enough, in Gary
Oldman for
"Tinker Tailor Soldier Spy", with 30 years of fine acting under his
belt; in Jean Dujardin, France's comedic actor, for "The Artist", and in
Demián Bichir
for his excellent work in
"A Better Life". Mr. Oldman and Mr.
Bichir deserve the Oscar, but the well-loved George Clooney (also nominated for
adapted screenplay for "Ides Of March") will prevail over Brad Pitt. Mr.
Clooney does the best work of his career using his movie star-as-actor dynamic
to play himself as much as his real-estate lawyer character in "The
Descendants". He looks more like Cary Grant than Clark Gable, but Mr.
Clooney's initials (if you reverse them) convey the mark of a star actor who
could soon find himself in their class. The Academy loves stars who use
persona and embrace it in a character they play in a big way (see Jack Nicholson
in "Terms Of Endearment", "As Good As It Gets"; both Oscar wins.) Mr.
Clooney has already netted a supporting actor Oscar ("Syriana", winning in
2006.)

Will "The Artist" be top dog on Oscar night? Jean Dujardin and Bérénice
Bejo (pictured above) star.
The Weinstein Company
BEST SUPPORTING ACTOR
Christopher Plummer,
"Beginners"
I thought Albert Brooks would be a lock to win an Oscar in this category for his
wonderful performance as a car-race gangster in
"Drive",
but what on earth did I know? Mr. Brooks' absence is even more stunning
than Michael Fassbender's omission in the Best Actor category for
"Shame".
None of the other men in this category, from the neophyte nominee Jonah Hill ("Moneyball")
to the veterans Mr. Plummer, Nick Nolte ("Warrior"),
Kenneth Branagh ("My
Week With Marilyn") and Max von Sydow ("Extremely
Loud & Incredibly Close") are surprises here, but Mr. Brooks not
being here is astonishing. In "Beginners" Mr. Plummer does fine, but not
his best work in only, amazingly, his second Oscar nomination (he was nominated
in 2010 for "The Last Station".) With Mr. Brooks a non-factor, Mr. Plummer
should coast to the finish line.
BEST PICTURE
Hugo
The picture with the most toys (including a best picture nomination) usually
wins, and since "Hugo" has eleven nominations, expect it to win the night's top
prize. "Hugo" has been virtually quiet this awards season but it is a more
universal film than "The Artist", stretching across decades of movies into the
present and back to the past (Georges Méliès) on a continuum. "Hugo" ties
the experiences of movies over a century together and gives its story an
emotional investment and relevance that is sometimes moving. It's also revealing that
the Oscars show tagline this year is "there's a little bit of the movies in all
of us." This line represents exactly what the spirit of "Hugo" is and what
that film represents.
Other select categories, and who I think the Academy will choose for Oscar in
each:
BEST ADAPTED SCREENPLAY
"The Descendants" by Alexander Payne, Nat Faxon & Jim Rash
BEST ORIGINAL SCREENPLAY
"Midnight In
Paris" by Woody Allen
BEST ART DIRECTION
"The Artist", Laurence Bennett, Robert Gould
BEST CINEMATOGRAPHY
"The Tree Of
Life", Emmanuel Lubezki
BEST ANIMATED FEATURE
"Rango",
directed by Gore Verbinski
BEST FOREIGN LANGUAGE FILM
"A Separation" (Iran), directed by Asghar Farhadi
BEST COSTUME DESIGN
"Hugo", Sandy Powell
BEST ORIGINAL SCORE
"Hugo", Howard Shore
BEST ORIGINAL SONG
"Man Or Muppet" from "The Muppets", by Bret McKenzie
BEST VISUAL EFFECTS
"Harry Potter
And The Deathly Hallows Part 2", Tim Burke, David Vickery, Greg
Butler and John Richardson
BEST SOUND EDITING
"Hugo", Philip Stockton and Eugene Gearty
BEST SOUND MIXING
"Transformers: Dark Of The Moon", Greg P. Russell, Gary Summers,
Jeffrey J. Haboush and Peter J. Devlin
BEST EDITING
"The Artist", Anne Sophie-Bion and Michel Hazanavicius
BEST MAKE UP
"Harry Potter And The Deathly Hallows Part 2", Nick Dudman, Amanda Knight and
Lisa Tomblin
BEST DOCUMENTARY FEATURE
"Undefeated", T.J. Martin, Dan Lindsay and Richard Middlemas
The 84th Annual Academy Awards take place on Sunday, February 26 at 8:30pm
Eastern/5:30pm Pacific U.S. time at the Kodak Theatre at Hollywood And Highland
in Los Angeles.
Previous Awards Season 2012:
Oscar nominations report
COPYRIGHT 2012. POPCORNREEL.COM. ALL RIGHTS RESERVED.
FOLLOW
MOVIE REVIEWS |
INTERVIEWS |
YOUTUBE |
NEWS
|
EDITORIALS | EVENTS |
AUDIO |
ESSAYS |
ARCHIVES |
CONTACT
| PHOTOS |
COMING SOON|
EXAMINER.COM FILM ARTICLES
||HOME