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Friday, December 11, 2009

MOVIE REVIEW
Invictus
All The King's Men, And Warriors To Unite A Nation


Morgan Freeman as South African President Nelson Mandela and Matt Damon as Francois Pienaar in Clint
Eastwood's "Invictus", which opened across North America today.
 Warner Brothers

By Omar P.L. Moore/PopcornReel.com
Friday, December 11, 2009

Alas, perhaps the magic can't continue.  Clint Eastwood's directorial brilliance gets scuttled with "Invictus", which opened today in theaters across North America. 

What Mr. Eastwood did so well with "Letters From Iwo Jima" (based on Iris Yamashita's books) he does so poorly here with adapted material from Anthony Peckham for his latest film, which was shot barely ten months ago and wrapped in April.  "Invictus" refers to an early 19th century poem which ends, "I am the captain of my soul."  Directing his third film in two years Mr. Eastwood uneasily steers the ship of this true story of South African president Nelson Mandela and his inspiration of the nation's formerly apartheid Springboks rugby team to unite the divided country in 1995 with its run in the Rugby World Cup.

Likely to be nominated for an Oscar, Morgan Freeman is majestic as "Madiba" (aka President Mandela), enunciating each spoken word as if giving a dictation.  Mr. Freeman has the look and essence of Mr. Mandela and you can see that he has studied the real-life man well.  The problem is that substance-wise and story wise "Invictus" rings hollow, a tepid film that does justice to neither Mr. Freeman nor Matt Damon's sincere effort as Springboks captain Francois Pienaar.

It seems that when Mr. Eastwood chronicles historical real-life black figures such as Charlie "Bird" Parker, and here, he falters.  Under his direction "Invictus" feels robotic, stagnant and even sleepy, only occasionally bolstered by gripping sequences on the rugby field in Johannesburg (which forms the bulk of the film's final third), or via visual effects or camera stylizations that prove redundant or wholly unnecessary.
Worst yet, the music score by Kyle Eastwood and Michael Stevens is misplaced, as is the Daniel Po-written song "Colorblind".  As sung by Overtone, "Colorblind" sounds more like an insult than an accompaniment, and has a corny, empty ring to it.

Though the film begins with his Sunday, February 11, 1990 release from Robben Island, audiences expecting to see a story about Mr. Mandela's resurrection after 31 years of prison will be disappointed, for "Invictus" is about the former president's affect on Francois Pienaar and the drive to make a torn nation proud again.  It's not that "Invictus" is necessarily a bad film, it's more a disappointing and incomplete one.  You wonder -- as one may have with Michael Mann's "Ali" film in 2001 -- whether the important subject matter would have fared better in another director's hands.

In 1993 Morgan Freeman himself directed Danny Glover in another South Africa film drama, "Bopha!", and while it was well-reviewed but less commercially successful than this film likely will be, it had a refreshingly powerful perspective and a story seen exclusively through black South African eyes, something "Invictus" could have used more of.

Note: At 79, Mr. Eastwood's energy and vigor haven't waned.  He's currently filming the sci-fi mystery thriller "Hereafter" with Mr. Damon, and the locations are Paris, London, Hawaii and San Francisco.  "Hereafter" is expected to be released next December.


With: Tony Kgoroge, Patrick Mofokeng, Matt Stern, Julian Lewis Jones, Anjoa Andoh, Marguerite Wheatley, Leleti Khumalo.

"Invictus" is rated PG-13 by the Motion Picture Association Of America for brief strong language.  The film's running time is two hours and 14 minutes.       


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