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Sunday, January 8, 2012
MOVIE REVIEW
The Conquest (La Conquete)
A Failing Marriage As Political Football In France
Denis Podalydès as Nicolas Sarkozy and Florence Pernel as Cécilia Sarkozy in
Xavier Durringer's film "The Conquest".
Music Box
by
Omar P.L. Moore/PopcornReel.com
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Sunday,
January 8, 2012
The turbulent, scandal-ridden last few years of the Nicolas Sarkozy-Cécilia
Sarkozy marriage are the center of Xavier Durringer's re-imagined final days of
their relationship in "The Conquest", which opened in additional U.S. cities on
Friday. More a tragicomedy or satire than a drama, Mr. Durringer's film
captures a fine performance from Denis Podalydès as Mr. Sarkozy, a Napoleonic
figure awaiting his climb up the political ladder in France to the presidency.
He'll have to wait his turn, however.
Beginning in the early 2000s and ending in 2007, "The Conquest" unfolds in
documentary style, chronicling the rise of a self-centered, arrogant and lonely
man, dwarfed by his own sense of largess and forthrightness. The film is
two stories: one about Nicolas Sarkozy's rise to power, highlighted by the
tension and rivalry with then-French president Jacques Chirac's foreign minister
and prime minister-in-waiting Dominique de Villepin (a fine performance by
Samuel Labarthe); the other about the charade of unity in public as the Sarkozy
marriage disintegrates behind the scenes.
Cécilia (Florence Pernel) has had enough of her husband's fakery and
extramarital affairs and wants out while campaigning for the presidency ensues.
Nicolas entreats her to stay with him until after the election is over.
Cécilia is made an advisor by Nicolas, who recklessly says the first thing on
his mind and is despised by some members of his inner circle. Mr. Sarkozy,
a right-wing politician, doles out platitudes to his "Commie" speechwriter and
dismisses Villepin's sincerities with biting honesty. This president-to-be
knows how to spoil a party!
As wickedly rendered by Mr. Podalydès, Nicolas is alone and unhappy, and knows
it. Trapped, there's little wiggle room for him in his personal and
political life. Nicolas journeys to power but at the cost of a hollow
victory. At the same time his personal life renders him a powerless
figure. Cécilia holds the cards and keys to Nicolas's political survival,
and she's the real power broker in determining whether and how soon he will
ascend to the presidential throne.
Written by Mr. Durringer and Patrick Rotman, "The Conquest" (La Conquete)
chronicles a smart if sometimes staid and pedestrian story about the structure
of politics and the wheels of power in France. There's a containment and
distance in the film that the director either wants us to absorb or asks us to
travel where Nicolas is concerned. Numerous shots of expansive space,
figures in the distance, isolated and remote reinforce the satirical aspects of
the mania of politics, power, king-making and one-upmanship. The film's
prime weakness lies principally in its lack of energy, and while some of the
dialogue is enjoyable several scenes lack enervation or any spark.
Lined with all-around fine performances, including by Bernard Le Coq as Mr.
Chirac, "The Conquest" is an entertaining look at what power does to one's sense
of self, and a reminder that reality in politics is yesterday's news.
Perception is the constant breaking news story, and always what counts, and Mr.
Durringer gives us dual perspectives in many scenes; before and after moments in
the same frame after Nicolas exits. The most telling shots are with
Nicolas plowing through throngs of admirers at political rallies with the
disdainful Cécilia just inches away, going through the motions in order to
barely keep up appearances. The kisses Nicolas plants on the face of his
outgoing wife may as well be kisses blown in the face of a gale force wind.
Do we ever know who Durringer's Nicolas Sarkozy really is behind his marital
strife with Cécilia, or his pitched battle with Villepin, or in his quest for
title of France's most powerful man? He always looks like a game show
contestant, not a finished product of success. It appears that Nicolas is
a figment of his own imagination, a self-created image that sinks into an
exalted nothingness. The film's final shot reveals an illusion or
mirage-like image that sums up the transparency of indulgence, of power's
appetite and its slender rewards. He's there, albeit tenuously, though
he's been there all the time, but only in his own mind. This emperor's
clothes haven't been thoroughly tailored let alone worn.
With: Hippolyte Girardot, Mathias Mlekuz, Grégory Fitoussi, Pierre Cassignard,
Saïda Jawad, Dominique Besnehard.
"The Conquest" is not rated by the Motion Picture Association
Of America. The film is in the French language with English subtitles. The film's running time
is one hour and 45 minutes.
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