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Friday, May 14, 2010

MOVIE REVIEW
The Human Centipede (First Sequence)
Anus Horribilis

A scene from the horror film "The Human Centipede (First Sequence)", written and directed by Tom Six.   IFC Films

                                                                                                                  
by Omar P.L. Moore/PopcornReel.com        Follow popcornreel on Twitter FOLLOW
Friday, May 14, 2010

As you've driven a car on a highway, no doubt you've succumb to the gnawing curiosity of the collision you see up ahead.  You slow down to get a glimpse.  Are there dead bodies?  Blood?  Body parts?  You don't hope to see these things, but you do wonder. 

And how many of us have driven past homes along a highway and wondered what the devil was going on in those homes?

Tom Six shines a light on that last question in his horror film "The Human Centipede (First Sequence)", which is currently playing in assorted theaters throughout the U.S. and Canada in specific late-night only showings.

Beautifully shot by Goof De Koning, "The Human Centipede" is lush, alluring, decorative, served up as if the entire film were a dinner itself.  That's probably Mr. Six's intent, as he weaves horror and art so very persuasively. 

The film takes place in the German countryside.  Lindsay and Jenny, two American twenty-somethings (Ashley C. Williams and Ashlynn Yennie) are wandering on vacation (see "Hostel II").  They wind up at an isolated home and before too long the evil clutches of one Dr. Heiter, played with relish and seriousness by Dieter Laser.  Dr. Heiter (or Dr. Eatgood), a retired surgeon, wants to craft his final, disgusting masterpiece: to suture together the mouths and anuses of three people in his lair.  The third contestant in this bizarro game is Katsuro (Akihiro Kitamura), who gets to shout the loudest in protestation.

"The Human Centipede" is hardly as graphic a film to watch as some have suggested.  Though there are moments of abject horror for sure, the film is not as violent in content or context as either "Kick-Ass" or "Repo Men".  Mr. Six's film by comparison isn't even reprehensible.  It's horror.  It says what it is about.  And it goes there without pretension or anxiety.  The director is as serious about his work here as the victims are in trouble.

Art house horror is the name of the game, and Mr. Six admirably shows discretion in what he reveals of the nearly-naked bodies of all (especially the women) when the victims are in helpless peril.  In fact, less nudity is here than in some PG-13 or R-rated films.  Horror fans may actually be disappointed in some respects where the violence is concerned, and the film is much better than one might expect.

"The Human Centipede (First Sequence)" should probably have received an R-rating, and many R-rated films are far more violent than this one.  On balance Mr. Six and the performers -- especially the Frankenstein, Nosferatu-like echo of a very game Mr. Laser -- do well, even if what happens to these poor souls doesn't amount to a bon appetit.

With: Andreas Leupold.

"The Human Centipede (First Sequence)" is not rated by the Motion Picture Association Of America.  Again, it should have been rated R, and showings of this film in the U.S. should be brought forward to 8pm.  The film does contain graphic, bloody violence, but it is not of the "torture porn" variety.  The film is in English, German and Japanese languages with English subtitles.  The film's duration is one hour and 28 minutes.

Unscripted review of "The Human Centipede":



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